BASAVANNANAVARA VACHANAGALU
2. Hosa Paddhatiya
Basaveshvarana Vachanagalu
3. Basavannanavara Vachanagalu Ed. R.C.Hiremath,
1971,
4. Basavannanavara Shatsthalada Vachanagalu, Ed.
by Basavanala Shi.Shi.,
1962, Lingayatha Vidyabhivruddhi
Samsthe, Dharawada
5. Basaveshvara Vachana
Sangraha, Ed. by L.Basavaraju, 1952,
Pustkabhandara Male,
6. Basavannana Lokapriya Vachanagalu, Ed. by
Bhusanurumatha Sam.Shi.
and Karki D.S., 1952, Vachanamantapa, Belagavi
7. Basavannanavara Vachana Samputa, Ed. by M.M. Kalburgi, Goverment of Karnataka,
8. Basavannanavara Vachanagalu, Ed. by L.Basavaraju,
1996, Geetha Book House,
9. Basaveshvara
Vachanadeepike, Ed. by H. Thipperudraswamy;
Jagadguru Shri
Shivaraathreeswara Granthamaale,
Mysore-570004.
(For a more detailed version please refer: Basavannana Vachanagalu
Samskritika Mukhamukhi, Ed. by
Amaresha Nugadoni, 2004,
15.
This
short note is confined to an introduction to the Vachanas
of Basavanna. Browsers are requested to refer to the
entry on Basavanna for an account of his biography,
achievements and social significance. It is almost impossible to separate the man
and his works particularly in the case of Basavanna
because of their interrelated nature. The works of Basavanna
could be studied in isolation. However one should be aware of the fact that they
have sprung to life as a part of a socio-cultural movement which was unique
in the annals of Indian history.More
than one thousand vachanas are attributed to
Basavanna. kUDala
sangamadEva is the ankita
that is appended to all of them. They may be divided in to different categories
based on their themes. However scholars have classified them on the basis of Veerashaiva theology in to six different states of
mind(Shatsthala) such as Bhakta,
Maaheshvara, Praeaadi and
Pranalingi.
The themes, form and the modes of stylistic narration
of Basavannas poetry are dictated
bythe fact that they are addressed to
the common man. Basavanna and his peers did not want
to produce a body of literature which would be a continuation of Kannada literary
tradition set in motion by their predecessors. They acquired literary significance
because they focused
on the spectrum of subjective human experiences and they employed many literary
devices in a guileless manner. They did have a world view, a philosophical core
and a literary theory.
The poetry of
Basavanna has some unique features that are not pre
dominant in his contemporaries. Firstly, his zeal for social reform caused him to
convert his poems in to a critique of the social situation that was prevalent at
that time. This was inevitable because change cannot be envisaged unless there is
an intense dissatisfaction with the present. Secondly there is a strong streak of
self criticism and analysis which is not present to the same degree in his fellow
poets. Basavanna is not a votary of obscurantism in
any of his writings. Mysticism assumes secondary importance and philosophy if any
is highly communicable because of the metaphors and images used by the poet. Most
of the figures of speech used by Basavanna draw their
content from the external world rather than the worn out usages of the ancient poetry.
He creates his Vachanas in different mindsets which
are not chronological but concurrent. These are called Sthalas
in Veerashaiva theology. For instance he could be very
hard and critical of other deities and religions in Maheshvara
Sthala. But he adopts a very liberal outlook and avers
that all religions and Gods are alike in some other sthala.
These are various manifestations of the same personalities in different situations.
Vachanas of Basavanna do
not have only human beings at their nucleus. He is genuinely concerned for all living
things. (sakala
jeevaatma)
16 1.
Basavannana Vachanagalu
Samskritika Mukhamukhi,
2004,
2. Basavannanavara Upamegalu, Hardekar Manjappa, 1944,Kalmatheshvara
Granthamale.
3. Anubhavigala
Kranthi, Translation of the English original by T.R.Chandrashekhara, 2000, Veerashiava
Adhyayana Samsthe,
Tontadarya Matha,
Gadag
(For a more detailed version please refer to the article
by Satish Patil in Basavannana Vachanagalu
Samskritika Mukhamukhi, Ed. by
Amaresha Nugadoni, 2004,
17 1.
Download Vachana Software - Win95/98
18 1.
FOREVER SAINTS Selected Vachanas of
Basavanna, Allama and Akka
Mahadevi: Translated with Introduction and Notes by
D.A. Shankar; Jagadguru
Sri Shivarathreeswara Granthamala,
JSS Mahavidyapeetha,
2. Speaking of Siva, A.K.Ramanujan, Thomas Wyatt,
Anonymous, 1973, Penguin Books,